
Space capsule / Film set

Film still

Film still

Film still

Film still
Film set detail
The One-Way Ticket
2012
Today we find our frontiers for manned exploration and adventure into the unknown on the brink of exhaustion. Out of this predicament, The One-Way Ticket proposes to send one person on a voyage into deep space from where they will not return. The notion of not coming back opens up an exceptional scenario, so far unprecedented in the history of human space travel.
Focusing on the experience of the lone astronaut, the project responds to research into a range of human factors particular to the mission that also underline its extraordinary nature. Running parallel with this research was a production of film-making props, contraptions and sets, with the aim of presenting the scenario as a cinematic spectacle.
The final short film comprises a collection of episodes transmitted from the spacecraft. Based along the path of the mission trajectory, the images simulate the experience of being in space and also infer some of the unique psychological phenomena that could occur on a one-way trip.
The space capsule film set stands as an artefact of the filmmaking process. Constructed using low-end and found materials, it encapsulates the honesty of the project aesthetic: zero gravity, zero budget. It also represents a consistent endeavour to bridge the gap between the imaginary and the pragmatic, or what it means to be in space and what it means to get there.
2012
Today we find our frontiers for manned exploration and adventure into the unknown on the brink of exhaustion. Out of this predicament, The One-Way Ticket proposes to send one person on a voyage into deep space from where they will not return. The notion of not coming back opens up an exceptional scenario, so far unprecedented in the history of human space travel.
Focusing on the experience of the lone astronaut, the project responds to research into a range of human factors particular to the mission that also underline its extraordinary nature. Running parallel with this research was a production of film-making props, contraptions and sets, with the aim of presenting the scenario as a cinematic spectacle.
The final short film comprises a collection of episodes transmitted from the spacecraft. Based along the path of the mission trajectory, the images simulate the experience of being in space and also infer some of the unique psychological phenomena that could occur on a one-way trip.
The space capsule film set stands as an artefact of the filmmaking process. Constructed using low-end and found materials, it encapsulates the honesty of the project aesthetic: zero gravity, zero budget. It also represents a consistent endeavour to bridge the gap between the imaginary and the pragmatic, or what it means to be in space and what it means to get there.
Also featured on:
Design Interactions Show 2012
It's Nice That
Creative Applications
we make money not art
Core 77
Space Safety Magazine
Domus
Fast Co. Design